
Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)

Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)

Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)

Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)

Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)





Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)
Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)
Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)
Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)
Core is a sculpture consisting of a column of uncooked cornmeal held together by a non-toxic adhesive. The weathered detritus are considered in their placement marking periods of time. The detritus was sourced from coastal space in Jamaica and along the Mid-Atlantic of the USA. The form is scaled to the dimensions of a fibre drum barrel, familiar in Caribbean vernacular, for its use in remittances within the Caribbean diaspora.
(2019)